Autolux's "Here Comes Everybody" & "Asleep at the Trigger"

Link2Listen1
Link2Listen2
[2004]
Since my posts have been sort of scatterbrained, I'm imposing a structure starting with the letter A where each day is the next letter of the alphabet. Should I actually make it to Z (unlikely), then we'll go back to A again &c. Of course, certain letters are bound to run out quicker than others -- three points to whomever correctly guesses which letter dies first -- but we will cross that bridge blah blah blah. Also pictures are nice, so I will start working on that.

As I was late to posting for Wednesday, readership is rewarded -- or cheated, depending on the perspective of songs vs posts -- with two songs in this post, gapless (more cheating) on the album Future Perfect.

Start it dangling; fuzz it grunge. BeatBeat BeatBeat BeatBeat BeatBeat Punch. Femvox float above "Here Comes Everybody" while everything gets furious in a very calm way. Run it again baby. The entire ride through sounds like a hidden chime noise amalgam ringing and leading -- the drum rhythmic pattern folding into slightly crunchy chords with echo delay reverb dragging the sense. Run it again. The payoff: everything falls away; enter toy piano punching the chimes that had to've been coming. Smooooooth. Wind whirling in the background, femvox take center stage for part two "Asleep at the Trigger". Beat Beat BeatBeat Beat, the pulse for shimmering strums with wind growling the low-force funnel. It gets narrow. Guitar sounds almost hollow now, and eventually the wind yawns|stretches f(x)=sin(x) into a low (g)rumble. The party comes; the party came.